projects gallery biography texts on Jorge Molder exhibitions contact
 
 

PROJECTS

I apply the word series , to use a well known philosophical concept, to univocal and uniquivocal models of time, of belonging and also of other attributes that I have difficulty in clarifying. I know perfectly well when it begins, I manage to discover when it ende,   I am able to understand its constituent elements, but its working and its occurrence tottaly escape me.

Really, this is not very different from life, we understand almost everything with the exception o fan essential detail. This ignorante should not make us queasy, even when we are able to devine in it the origino f the hallowed forms of disheartenment and insecurity. They are the famous alpha and omega questions.

 

Um Dia Cinzento, 1983
A Gloomy Day, 1983
Waiters, 1986
Waiters, 1986
O Gosto do Pão, 1988
The Taste of Bread, 1988
Uma Taxidermia de Papel, 1989
A Paper Taxidermy, 1989
Joseph Conrad, 1990
Joseph Conrad, 1990
The Secret Agent, 1991
The Secret Agent, 1991
The Secret Agent, 1991
The Secret Boxes, 1991
Anatomia e Boxe, 1996
Anatomy and Boxing, 1996
CD, 1998
CD, 1998
nox, 1998/9
nox, 1998/9
Em 1ª mão, 2000
In First Hand, 2000
Linha do Tempo, 2000
Time Line, 2000
Curta-metragem 1 & 2, 2000
Short footage 1 & 2, 2000
O pequeno Mundo, 2001
The Little World, 2001
La reine vous salue..., 2001
La reine vous salue..., 2001
Comportamento Animal, 2002
Animal Behaviour, 2002
Circunstâncias Atenuantes, 2003
Attenuating Circunstances, 2003
Desconhecimento Imediato, 2005
Immediate Unknowledge, 2005
Vasistas, 2005
Vasistas, 2005
Condição Humana, 2005
Human Condition, 2005
Não tem que me contar seja o que for, 2006/7
You don’t have to tell me whatever it is, 2006/7